Motion designer and creative art director.
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(01)
/HOW I START
From Concept to Motion
I approach motion through language and concept. To me, strong motion is not only visually engaging, but also capable of conveying the ideas and intentions behind it. That’s why I begin by defining a clear concept before translating it into motion. 私は、言葉やコンセプトから動きを考えることを大切にしています。 優れたモーションとは、単に視線を引きつけるだけでなく、その背後にある意図やメッセージを伝えるものであると考えています。 そのため、制作に入る前にコンセプトを明確にし、それを動きとして具体化していきます。
(01)
/HOW I START
From Concept to Motion
I approach motion through language and concept. To me, strong motion is not only visually engaging, but also capable of conveying the ideas and intentions behind it. That’s why I begin by defining a clear concept before translating it into motion. 私は、言葉やコンセプトから動きを考えることを大切にしています。 優れたモーションとは、単に視線を引きつけるだけでなく、その背後にある意図やメッセージを伝えるものであると考えています。 そのため、制作に入る前にコンセプトを明確にし、それを動きとして具体化していきます。
(01)
/HOW I START
From Concept to Motion
I approach motion through language and concept. To me, strong motion is not only visually engaging, but also capable of conveying the ideas and intentions behind it. That’s why I begin by defining a clear concept before translating it into motion. 私は、言葉やコンセプトから動きを考えることを大切にしています。 優れたモーションとは、単に視線を引きつけるだけでなく、その背後にある意図やメッセージを伝えるものであると考えています。 そのため、制作に入る前にコンセプトを明確にし、それを動きとして具体化していきます。
(02)
/WHAT I WORKED
Expanding Motion
Based on this approach, my work extends beyond 2D motion into a wide range of media and formats. Throughout my career, I’ve worked on various types of projects, including commercials, live-action documentaries, exhibitions, and award ceremonies. I’m interested in continuing to explore new possibilities of motion across different fields. こうした思考をベースに、制作領域は2Dモーションにとどまらず、さまざまなメディアや表現へと広がっています。 これまでに、広告、実写ドキュメンタリー、展示・イベント映像、授賞式など、多様なプロジェクトに携わってきました。 今後も、動きの可能性を異なる分野の中で探求し続けていきたいと考えています。
(02)
/WHAT I WORKED
Expanding Motion
Based on this approach, my work extends beyond 2D motion into a wide range of media and formats. Throughout my career, I’ve worked on various types of projects, including commercials, live-action documentaries, exhibitions, and award ceremonies. I’m interested in continuing to explore new possibilities of motion across different fields. こうした思考をベースに、制作領域は2Dモーションにとどまらず、さまざまなメディアや表現へと広がっています。 これまでに、広告、実写ドキュメンタリー、展示・イベント映像、授賞式など、多様なプロジェクトに携わってきました。 今後も、動きの可能性を異なる分野の中で探求し続けていきたいと考えています。
(02)
/WHAT I WORKED
Expanding Motion
Based on this approach, my work extends beyond 2D motion into a wide range of media and formats. Throughout my career, I’ve worked on various types of projects, including commercials, live-action documentaries, exhibitions, and award ceremonies. I’m interested in continuing to explore new possibilities of motion across different fields. こうした思考をベースに、制作領域は2Dモーションにとどまらず、さまざまなメディアや表現へと広がっています。 これまでに、広告、実写ドキュメンタリー、展示・イベント映像、授賞式など、多様なプロジェクトに携わってきました。 今後も、動きの可能性を異なる分野の中で探求し続けていきたいと考えています。
(03)
/WHAT I'VE ACHIEVED
Selected and Awards
2024 ADC 103rd Annual Awards - The 60th Golden Horse Awards 2024 D&AD Award shortlisted - The 60th Golden Horse Awards 2024 Communication Arts - BUNNY RUNNING 2023 SDA Taiwan Design BEST 100 - BUNNY RUNNING 2020 Telly Award - Taipei Metro Brand Image Film 2019 STASH MEDIA Select - Golden Pin Design Award
(03)
/WHAT I'VE ACHIEVED
Selected and Awards
2024 ADC 103rd Annual Awards - The 60th Golden Horse Awards 2024 D&AD Award shortlisted - The 60th Golden Horse Awards 2024 Communication Arts - BUNNY RUNNING 2023 SDA Taiwan Design BEST 100 - BUNNY RUNNING 2020 Telly Award - Taipei Metro Brand Image Film 2019 STASH MEDIA Select - Golden Pin Design Award
(03)
/WHAT I'VE ACHIEVED
Selected and Awards
2024 ADC 103rd Annual Awards - The 60th Golden Horse Awards 2024 D&AD Award shortlisted - The 60th Golden Horse Awards 2024 Communication Arts - BUNNY RUNNING 2023 SDA Taiwan Design BEST 100 - BUNNY RUNNING 2020 Telly Award - Taipei Metro Brand Image Film 2019 STASH MEDIA Select - Golden Pin Design Award
Freelance
2025 — now
Motion designer & Editor
Motion designer & Editor
Motion designer
Editor
After leaving the studio, I worked as a freelance creator while studying Japanese. In addition to production, I managed project scheduling and workflows independently, strengthening my ability to control the overall process and maintain consistent output.
After leaving the studio, I worked as a freelance creator while studying Japanese. In addition to production, I managed project scheduling and workflows independently, strengthening my ability to control the overall process and maintain consistent output.
Bito
2023 — 2025
Art director
As an art director, I worked on multiple large-scale projects, defining visual direction and ensuring overall quality. I also developed experience in project management and team coordination, while handling client presentations and communication.
As an art director, I worked on multiple large-scale projects, defining visual direction and ensuring overall quality. I also developed experience in project management and team coordination, while handling client presentations and communication.
2021 — 2022
Senior Motion designer & Editor
Senior Motion designer Editor
As a senior motion designer, I delivered precise and efficient visual outputs tailored to project needs. During this stage, I also expanded my editing skills, enhancing my control over pacing and narrative structure.
2018 — 2020
Junior motion designer
At the beginning of my career, I participated in a wide range of projects, building practical experience while exploring and developing my own motion design style.
At the beginning of my career, I participated in a wide range of projects, building practical experience while exploring and developing my own motion design style.